A blog devoted to cook books, food science books and foodie fiction in print and on film.
Friday, September 24, 2010
Unicorn Magnum Plus Peppermill
I am taking a brief sojourn into the realm of product reviews. This is not the focus of this site because there are so many other sites that do equipment reviews so well, but there are a few items that I think are extraordinary, and I really want to share them with you.
The first of these is the Unicorn Magnum Plus peppermill made by Tom David, Inc.
Through the years, I have owned a number of peppermills. To me, peppermills are like fountain pens and old kitchen forks: they are both functional and beautiful and they are things to be collected. I can only justify two or, maybe, three peppermills at a given time, but given limitless space and money, I would likely have an extra pantry room devoted to them.
Of the mills that I have owned, some have been beautiful machinations, like the Peugeot mills, and others have been less so. Some have been utter crap too, but those don't warrant a post. Though not the most aesthetically pleasing of mills, the hands down best working one I have ever owned is the Unicorn Magnum Plus. It is a peppermill designed with the professional kitchen in mind, and, startlingly, I have never seen another with that design goal. They make two sizes of Unicorn Magnum – the Magnum Plus is the one that I own, and it is the larger of the two standing at 9". It is made of a very high impact plastic, and it is a polished jet black. My wife thinks it looks like the Darth Vader of peppermills. It is easy to fill, with a sliding ring at the top, and requiring no disassembly. The grind is adjustable, as it is on all good mills, though it comes set a bit fine for my taste. It holds a ton of black peppercorns – probably about ¾ of a cup, keeping most household cooks in pepper for a month or more.
But, the most notable thing about this mill, and the real selling point from my perspective is the throw. The throw is the amount of pepper that a mill grinds per revolution, and the Unicorn Magnum is unparalleled in my experience. It easily throws four to five times more pepper per grind than a typical mill, making seasoning at the stove top quick. I cannot tell you how many times I have had others grab my Unicorn Magnum to season a salad and be totally startled at how much pepper a single grind produced. It is fantastic.
I mentioned that the mill was made out of a very high impact plastic (or polymer, or whatever they call it now), and it is. I have had mine for a decade, and there are a couple of barely noticeable dings on the bottom rim where it hit the floor tiles, but it is otherwise unscathed.
I have read a very few negative reviews of this product anywhere, but among the complaints that I have seen are a) the huge volume of the throw, and b) that the filling hole comes open and dumps pepper when it is being used. In regard to the first complaint, that is something that you get used to and adapt to. Regarding the second, it has been called a design flaw, but I find that to be a bit harsh. I have experienced that, but, again, it is something that I am now aware of and it has not happened again.
There are very few truly wonderful things that you can have in your kitchen, and fewer still for less than $50. The Unicorn Magnum Plus is darned near perfect, and, for that price, it cannot be beat.
Thursday, September 9, 2010
A Visit with Dina Guillen, Michelle Lowrey and Maria Everly
At Borders Books in Folsom, California this mild summery afternoon, Dina Guillen, Michelle Lowrey and Maria Everly did a reading from their first book, The Plank Grilling Cookbook, and they had a book signing after. We will be reviewing The Plank Grilling Cookbook on this blog soon, but today we just got to visit with these passionate foodies and talk a little about their books.
When The Plank Grilling Cookbook came out in 2006 it was unique. Williams-Sonoma, Sur la Table and a hundred other gourmet equipment purveyors were selling cedar planks to cook on, and the planks generally included a slip of paper with a recipe, but that was about the limit of plank cooking. These ladies, and their fourth, Gretchen Bernsdorff, created a great collection of recipes as well as recommendations for uses for specific types of wood for particular applications. Though not in the book, they have even figured out a way to smoke-cure bacon on a cool grill using their wood planks.
If anyone deserves to have their cookbooks succeed, these ladies do. They are truly passionate about the food and about the community of dining. Their books are not books for beginners – they are complex, advanced books for people who love to cook, love to eat and love to celebrate over food with friends. We are looking forward to guest blog entries by Dina and Michelle and to their next book!
Book Review: The Bread Baker’s Apprentice: Mastering the Art of Extraordinary Bread by Peter Reinhart
Hardcover: 320 pages
Publisher: Ten Speed Press (November 14, 2001)
ISBN-10: 1580082688
Rating (1 to 5*): *****
Many friends and acquaintances know that I have a fair collection of cookbooks. So, when gift-giving opportunities come along, often they want to contribute to that collection (something that makes me shudder), and they ask, "What sort of cookbooks do you like?"
When it comes to gifts, I generally respond that I like local color cookbooks – things like the recipes from the Presbyterian Ladies' Auxiliary form Baton Rouge, c. 1919. My secondary answer, and what I really prefer from generous gift-givers, is anything that is old. 19th and early 20th century cookbooks and receipt books are the best!
Finally comes the answer that I am most leery about. I am averse to giving it because this is a category of book that is best purchased for one's self because there are few, if any, people who know you well enough to pick it out. The category of cookbook that I refer to is the "advanced" book. Escoffier's La Guide Culinaire is a prime example, and Ali-Bab's Gastronomie Pratique is another. These are works that challenge the cook to advance his art. Techniques must be learnt and employed scrupulously for things to come out well – shortcuts are not part of the plan in these works.
Another exquisite example of the advanced cookbook is Peter Reinhart's The Bread Baker's Apprentice: Mastering the Art of Extraordinary Bread. This is not Reinhart's latest work, but it is a wonderful volume because, much in the spirit of Pepin's La Methode, it teaches the technique of baking fine quality artisan breads. As an apprentice takes baby steps in learning the correct way to execute difficult and complex recipes, this book walks the novice bread baker through the steps. When the new baker has worked his way through the book, he will not merely be able to execute a handful of bread recipes, but, rather, will understand what makes bread work. As a result, the new baker is on his way to creating recipes of his own. Or, better yet, when he encounters bread recipes from a hundred years ago, he will be able to execute the sketchy instructions with confidence and a degree of expertise.
As with other advanced cookbooks, this is not for the "modern cook, on the go", or any such drivel. It may take a couple of weeks to get a good sourdough started. Once it is correctly started, however, it is a treasure to be kept for years to come, improving hugely with age. Not all the ingredients in this book are going to be found in the Mega-Lo-Mart, but they can generally be had locally, with a bit of looking. Reinhart discusses the virtue of specific ingredients and equipment, and offers numerous tips for those baking in household stoves.
Despite having a decent cooking education, and having worked in fine kitchens both in the United States and in Europe, I have never been much of a baker. Whilst I love devouring a really good chocolate cake, I have little desire to make it myself. I have, however, always been entranced by good bread. I love the textures of the crust and the crumb. I love the way a sharp bread knife shatters the surface, to open the treasures hidden within. I have, however, had little luck with baking breads myself for a variety of reasons. Peter Reinhart has changed that. I am still on my bread-baking journey, but I now have an expert guide to show me the path. I recommend this book without reservation.
I am not providing an isolated recipe from The Bread Baker's Apprentice because each recipe requires the foundations laid by Reinhart earlier in the book. You cannot, for example, use a package of Old San Francisco Sourdough Starter in lieu of the genuine article and expect a fine quality artisan loaf to result. Just get the book. You may likely find it in your local library for starters – once you have started, it will sell itself.
Wednesday, September 1, 2010
Book Review: The Nero Wolfe Cookbook by Rex Stout
The Nero Wolfe Cookbook by Rex Stout and the editors of Viking Press
Hardcover: 215 pages
Publisher: Amereon Ltd (June 10, 1987)
ISBN-10: 1848800575
Rating (1 to 5*): ***
Nero Wolfe is probably the greatest foodie in all of crime fiction. His collection of adventures will be handled in another post, but suffice to say that the novels that feature the rotund detective are filled with fine meals. The meals range from midnight snacks for late working associates to grand spa feasts for convocations of gourmand icons. The reader is assured of some fine quality and well educated food discussion in every novel and just about every short story too.
The reason for the high quality dining sequences is because Rex Stout, the creator of Nero Wolfe, was an authentic gourmet himself. He loved good food. Every dish described in the Nero Wolfe stories is genuine and authentic. And so The Nero Wolfe Cookbook was born. Though the back of my paperback edition claims, "Real recipes from America's greatest fictional detective," in the introduction Rex Stout says that he is responsible for none of the book's content with the exception of the excerpts from the stories that are included before most of the recipes. The full byline on the cover says, "Rex Stout and the editors of Viking Press," and Stout gives the credit for the recipes to Barbara Burn. In fact, most of the recipes included are very classical French and French style recipes. In the novels, the bulk of the cooking is credited to Fritz Brenner, Wolfe's French-Swiss chef, so the recipes are deeply rooted in the European tradition.
The recipes in this little work are not particularly original, and most of them may be found elsewhere. A modicum of cooking technique is a valuable skill in attempting the more difficult of these, but none of them are beyond the skill of a decent home cook. The Nero Wolfe Cookbook was first published in 1973, and it spans an era of Nero Wolfe mysteries that begin in 1934 and were still being written when this work was published, so many of the recipes are of an older style, and some may find that they appeal to older tastes. There is a good deal of cream and butter in here, and rich sauces and ingredients abound.
There are a couple of editions of The Nero Wolfe Cookbook currently available, though I suspect that the Cumberland House trade paperback that I have is out of print. It is an exceptionally nice edition because it is rich with black and white photographs of New York throughout the Nero Wolfe era, including architecture and restaurants from the 1930s. That adds a good deal of personality to this edition, and it draws readers into the world of Nero and Archie. The edition that is currently available is a great looking period style hardback that I rather covet, but it does not have the great photographs.
From The Nero Wolfe Cookbook [Cumberland House, trade paperback edition], p. 189
Hardcover: 215 pages
Publisher: Amereon Ltd (June 10, 1987)
ISBN-10: 1848800575
Rating (1 to 5*): ***
Nero Wolfe is probably the greatest foodie in all of crime fiction. His collection of adventures will be handled in another post, but suffice to say that the novels that feature the rotund detective are filled with fine meals. The meals range from midnight snacks for late working associates to grand spa feasts for convocations of gourmand icons. The reader is assured of some fine quality and well educated food discussion in every novel and just about every short story too.
The reason for the high quality dining sequences is because Rex Stout, the creator of Nero Wolfe, was an authentic gourmet himself. He loved good food. Every dish described in the Nero Wolfe stories is genuine and authentic. And so The Nero Wolfe Cookbook was born. Though the back of my paperback edition claims, "Real recipes from America's greatest fictional detective," in the introduction Rex Stout says that he is responsible for none of the book's content with the exception of the excerpts from the stories that are included before most of the recipes. The full byline on the cover says, "Rex Stout and the editors of Viking Press," and Stout gives the credit for the recipes to Barbara Burn. In fact, most of the recipes included are very classical French and French style recipes. In the novels, the bulk of the cooking is credited to Fritz Brenner, Wolfe's French-Swiss chef, so the recipes are deeply rooted in the European tradition.
The recipes in this little work are not particularly original, and most of them may be found elsewhere. A modicum of cooking technique is a valuable skill in attempting the more difficult of these, but none of them are beyond the skill of a decent home cook. The Nero Wolfe Cookbook was first published in 1973, and it spans an era of Nero Wolfe mysteries that begin in 1934 and were still being written when this work was published, so many of the recipes are of an older style, and some may find that they appeal to older tastes. There is a good deal of cream and butter in here, and rich sauces and ingredients abound.
There are a couple of editions of The Nero Wolfe Cookbook currently available, though I suspect that the Cumberland House trade paperback that I have is out of print. It is an exceptionally nice edition because it is rich with black and white photographs of New York throughout the Nero Wolfe era, including architecture and restaurants from the 1930s. That adds a good deal of personality to this edition, and it draws readers into the world of Nero and Archie. The edition that is currently available is a great looking period style hardback that I rather covet, but it does not have the great photographs.
From The Nero Wolfe Cookbook [Cumberland House, trade paperback edition], p. 189
Roast Duck Mr. Richards
The roast was young duck Mr. Richards, by Marko Vukcic. This was one of Wolfe's favorites, and I was well acquainted with the Fritz Brenner-Nero Wolfe version of it. [Attributed to the fictional character, Archie Goodwin]
1 large duck, 4 ½ to 5 pounds
1 tablespoon minced shallots
2 sprigs parsley
½ teaspoon salt
Few grains cayenne pepper
Freshly ground black pepper
1 cup strong chicken broth
½ teaspoon fresh tarragon (or ¼ teaspoon dried leaves)
1 tablespoon fresh chopped parsley
½ teaspoon fresh thyme (or ¼ teaspoon dried leaves)
¼ cup cognac
Preheat oven to 500°. Remove giblets and liver from the duck, and chop with the shallots and parsley sprigs. Season with a little salt and cayenne, and put back into the duck, which has been well cleaned and rubbed with salt and black pepper. Truss carefully, pricking the skin in several places, and lay on a rack in a roasting pan in the very hot oven for 15 minutes.
Reduce heat to 400°, and continue cooking until the duckling is done, 70 to 80 minutes, and basting occasionally with the chicken broth, which has been seasoned with tarragon, parsley and thyme and from which the herbs have been strained. Also baste with the pan juice. There should be at least ½ cup or more of basting and duck juices in the roasting pan when the duck is done. Arrange the cooked duck on a hot platter, pour a little warmed cognac over it and set fire to it. As the flames die down, pour over it the pan juices, from which you have skimmed the fat. Carve at once. (Serves 4)
Thursday, August 19, 2010
Movie Review: Big Night
Big Night
Studio: Sony Pictures
ASIN: 0767802535
Rating (1 to 5*): ****
Review
Big Night is a touching, small movie starring the likes of Tony Shaloub, Stanley Tucci, Minnie Driver and the incomparable Isabella Rossellini in a relatively small but beautifully acted role.
When this picture came out in 1996, the critics raved, and that resulted in a good deal of disappointment. This movie is a small and rather arty film. Stanley Tucci, co-writer as well as star of this little film, says that this story is "about the struggle between art and commerce and the risk of staying true to yourself." That is what defines this movie.
This is the tale of two brothers who are struggling to keep their lovely little restaurant afloat in 1950s New Jersey. Secondo, the younger and more US savvy of the brothers, approaches their competitor for advice. He strikes a rather Faustian deal with him, staking the survival of their place, and their continued stay in America, on a single dinner party: a big night.
The brothers, their friends and their guests cook, serve and consume one of the finest on-screen meals in the history of cinema. The love, joy and fraternity of the dinner guests is palpable as romance blossoms and dies and hope grows, fails, and grows again.
The music deserves special mention. It is a combination of popular Italian music, popular American music from the 50s and swinging Louis Prima tunes. You will want the soundtrack to play in your kitchen for the next month.
Reviewers were too good to this movie. Audiences seemed to expect a blockbuster when it is, in fact, a beautiful little movie. The story is slow-paced and told gently. There are no car chases or gunfights. It is an excellently acted picture, and it draws the sympathetic audience in completely. There is, of course, a central, spectacular feast that will make any devout foodie want to create a vast dinner party. Look up a good timpano recipe and let the wine flow in rivers.
Book Review: Cooking Club by Dina Guillen and Michelle Lowrey
Cooking Club: Great Ideas & Delicious Recipes for Fabulous Get-Togethers by Dina Guillen (Author) and Michelle Lowrey (Author)
Paperback: 224 pages
Publisher: Sasquatch Books (May 5, 2009)
ISBN-10: 1570615608
Rating (1 to 5*): *****
Review
As my good friend, the brilliant chef Brian Quinn, says, "The fundamental ingredient in any recipe is love." In every way, that is the truest thing I know about cooking. And eating. It is reflected in the care and consideration put into cooking, obsession with only the best quality ingredients and with the interaction that we have with our friends and loved ones over the dining table. The breaking of bread is a fundamental concept of Christianity, but, conceptually, it predates Christianity and may well go back to the earliest times.
These ideas are entirely lost in this go-go fast food era. There is no love in a Big Mac.
These ideas are not, however, lost on Dina Guillen and Michelle Lowrey. In their book, Cooking Club, they offer not merely a collection of recipes. Recipes are certainly here: excellent recipes in a broad range of difficulty and complexity from the very simple to the seriously advanced. But that is not what Cooking Club is about. This book tells the story of the founding of their cooking club, a group of friends who meet regularly and cook and dine. They gather about the table at one of their homes or at a destination, and they eat and drink together, sharing the joy and laughter, wonderful food and friendship. This is what the art of cuisine is all about.
I was lucky enough to do a brief interview with Dina and Michele about a year ago for Style Magazine in Folsom, California. The joy that these two ladies share is evident. To borrow an image from The Unsinkable Molly Brown, life is their buffet, and they eat in big bites! This is the kind of book that excites the reader, in this case, to entertain. After reading through, I wanted nothing more than to have all my friends over for a feast.
Buy this book. It is an absolute treasure. If you are very lucky, it will help you to found your own cooking club, and set you on your way to a life of joyful dining.
From Cooking Club, p. 92
Grilled Artichokes with Herb Vinaigrette
Makes 8 servings
Ingredients
8 large artichokes
1 lemon, cut in half
1/4 cup plus 1 teaspoon salt
_____________________________
1 1/2 cups extra-virgin olive oil
3/4 cup palsamic vinegar
1/2 cup chopped fresh basil
1/2 cup chopped fresh parsley
6 cloves garlic, finely chopped
1/2 teaspoon freshly ground black pepper
Method
To prepare the artichokes, cut the stem flush with the base, and cut off the tight top leaves to remove the prickly tips. With a pair of scissors, trim each side leaf to remove the prickles. Rub the cut parts of the artichokes with the lemon as you work to prevent discoloration.
Put the artichokes in a large pot and add cold water to cover. Add the 1/4 cup of salt to the water, then weigh the artichokes down with a heavy dish or bowl. Bring the water to a boil and simmer for about 25 to 30 minutes, or until a paring knife easily pierces the heart of an artichoke. Drain the artichokes upside down and allow them to cool. Cut the cooled artichokes into quarters and scoop out the choke with a spoon. Set the artichokes aside.
To make the herb vinaigrette, combine the oil, vinegar, basil, parsley, garlic, pepper and the remaining teaspoon of salt in a large bowl. Add the artichole quarters and toss to coat. Let the artichokes marinate for 1 hour.
Prepare and heat the grill to medium-high heat. Remove the artichokes from the bowl, reserving the vinaigrette. Grill the artichokes until they are lightly charred, about 3 minutes per side. Arrange them on a platter, and pour the reserved herb vinaigrette over the artichokes.UPDATE: Dina and Michelle will be signing copies of Cooking Club and their first book, The Plank Grilling Cookbook on Saturday, August 21, 2010 at Borders Books in Folsom, California. If you are in the neighborhood, please come by and visit!
Sunday, August 15, 2010
Book Review: Le Guide Culinaire by Georges Auguste Escoffier
Review
Escoffier: The Complete Guide to the Art of Modern Cookery [Hardcover] by H.L. Cracknell (Translator), R.J. Kaufmann (Translator)
Publisher: Wiley; 1 edition (June 15, 1983)
ISBN-10: 0471290165
Rating (1 to 5*): ****
The bane of every cooking school student, Le Guide Culinaire is the aptly named textbook for all who aspire to greatness in the kitchen. I have known chefs who say, with a sense of casual aplomb, that they disposed of their copy the day that they graduated cooking school, and others who claim that they have not seen their copy for years, but that does not raise my estimation of them. For this guide to cooking encapsulates all of what we consider "classical French cuisine".
I will grant that we no longer have need for butter laden sauces on everything we eat, and the animal fat content of many of these recipes is not in line with our current lives, and that limits some of its applicability to our era, but the codification of the greatest cuisine in the world more than makes up for this shortfall.
Le Guide was first published in 1903. It went through some updates until the iconic 1921 edition came out. It only took 76 years for the 1921 edition to be translated into English, though outtakes and summaries have been available longer. The edition that is generally embraced by cooking schools is the Cracknell & Kaufman translation, which is a wonderful work in itself. It is a bit cost restrictive, but, when it comes to the apex of the art of fine cuisine, what is money? The binding is fairly heavy, to withstand years of steady use in the kitchen, the print is clear and the margins are suitably wide for rich annotation by the owner.
If you really want to know how to build a Fond Blanc de Veau or a Glace de Viande, this is the indisputable source. You may find simplified methods elsewhere, but if you want the authentic article, Le Guide is where you go.
Le Répertoire de La Cuisine: A Guide to Fine Foods [Hardcover] by Louis Saulnier
Publisher: Barron's Educational Series (December 31, 1977)
ISBN-10: 0812051084
Rating (1 to 5*): ***
One of the extraordinary things about Le Guide Culinaire is the fact that there is a simplification of it available in the form of Le Répertoire de La Cuisine. If Le Guide is aimed at serious cooks who know the craft before attempting the recipes therein, Le Répertoire is aimed at the very experienced cook. This book uses the same numeration of recipes that Le Guide does, and it gives ingredient lists, but no proportions and no methods. It is an all-encompassing memory aide for the cook who really knows how to make the recipes, but who cannot remember the 5012 ingredient lists in the book. I have seen this amazing little book, dog-eared and oil stained, in the tool boxes and knife rolls of cooks at nearly every restaurant where I have worked. This is a truly indispensable tool for the professional, and it is a handy accessory for the experienced home cook as well.
Le Guide Culinaire: Do you need it? Probably not. If you are a devout foodie, you will enjoy reading it and you are bound to learn much from it. No, we do not eat the fantastically ornamental foods of the turn of the 20th century anymore, but for that very special dinner, if you produce some element from Escoffier's repertoire, you will firmly establish yourself as the king or queen of your local food circle.
The dish that follows is not in Le Guide Culinaire, as such. The sauce, however, is. It is recipe number 112, Sauce Currie à l'Indienne – Curry Sauce (Indian Style). Bear in mind, this book was written before the era of readily available international cuisine. Escoffier was adapting traditional Indian curry recipes for the tastes of his primarily British patronage. I am a curry aficionado, and this one, though inauthentic, fills a niche among my favorites. This is a curry for when you want to impress the in-laws. If you have any curry haters in your acquaintanceship, serve them this and they will be well on their way to getting over it. Escoffier recommends that this sauce be served with fish, shellfish, poultry and egg dishes. Because of its strong flavor, I am a huge fan of it served with grilled chicken. Serve with a good quality chutney and pilaf and a cold rosé wine, such as a Sancerre. Summertime eating never had it so good.
Escoffier: The Complete Guide to the Art of Modern Cookery [Hardcover] by H.L. Cracknell (Translator), R.J. Kaufmann (Translator)
Publisher: Wiley; 1 edition (June 15, 1983)
ISBN-10: 0471290165
Rating (1 to 5*): ****
The bane of every cooking school student, Le Guide Culinaire is the aptly named textbook for all who aspire to greatness in the kitchen. I have known chefs who say, with a sense of casual aplomb, that they disposed of their copy the day that they graduated cooking school, and others who claim that they have not seen their copy for years, but that does not raise my estimation of them. For this guide to cooking encapsulates all of what we consider "classical French cuisine".
I will grant that we no longer have need for butter laden sauces on everything we eat, and the animal fat content of many of these recipes is not in line with our current lives, and that limits some of its applicability to our era, but the codification of the greatest cuisine in the world more than makes up for this shortfall.
Le Guide was first published in 1903. It went through some updates until the iconic 1921 edition came out. It only took 76 years for the 1921 edition to be translated into English, though outtakes and summaries have been available longer. The edition that is generally embraced by cooking schools is the Cracknell & Kaufman translation, which is a wonderful work in itself. It is a bit cost restrictive, but, when it comes to the apex of the art of fine cuisine, what is money? The binding is fairly heavy, to withstand years of steady use in the kitchen, the print is clear and the margins are suitably wide for rich annotation by the owner.
If you really want to know how to build a Fond Blanc de Veau or a Glace de Viande, this is the indisputable source. You may find simplified methods elsewhere, but if you want the authentic article, Le Guide is where you go.
Le Répertoire de La Cuisine: A Guide to Fine Foods [Hardcover] by Louis Saulnier
Publisher: Barron's Educational Series (December 31, 1977)
ISBN-10: 0812051084
Rating (1 to 5*): ***
One of the extraordinary things about Le Guide Culinaire is the fact that there is a simplification of it available in the form of Le Répertoire de La Cuisine. If Le Guide is aimed at serious cooks who know the craft before attempting the recipes therein, Le Répertoire is aimed at the very experienced cook. This book uses the same numeration of recipes that Le Guide does, and it gives ingredient lists, but no proportions and no methods. It is an all-encompassing memory aide for the cook who really knows how to make the recipes, but who cannot remember the 5012 ingredient lists in the book. I have seen this amazing little book, dog-eared and oil stained, in the tool boxes and knife rolls of cooks at nearly every restaurant where I have worked. This is a truly indispensable tool for the professional, and it is a handy accessory for the experienced home cook as well.
Le Guide Culinaire: Do you need it? Probably not. If you are a devout foodie, you will enjoy reading it and you are bound to learn much from it. No, we do not eat the fantastically ornamental foods of the turn of the 20th century anymore, but for that very special dinner, if you produce some element from Escoffier's repertoire, you will firmly establish yourself as the king or queen of your local food circle.
The dish that follows is not in Le Guide Culinaire, as such. The sauce, however, is. It is recipe number 112, Sauce Currie à l'Indienne – Curry Sauce (Indian Style). Bear in mind, this book was written before the era of readily available international cuisine. Escoffier was adapting traditional Indian curry recipes for the tastes of his primarily British patronage. I am a curry aficionado, and this one, though inauthentic, fills a niche among my favorites. This is a curry for when you want to impress the in-laws. If you have any curry haters in your acquaintanceship, serve them this and they will be well on their way to getting over it. Escoffier recommends that this sauce be served with fish, shellfish, poultry and egg dishes. Because of its strong flavor, I am a huge fan of it served with grilled chicken. Serve with a good quality chutney and pilaf and a cold rosé wine, such as a Sancerre. Summertime eating never had it so good.
Poulet a la Currie à l'Indienne
Serves 4
Ingredients:
- 2 chickens
- 1/2 oz. good quality butter (such as Kerrygold or other European style butter)
- 2 1/4 oz. finely sliced onion
- Bouquet garni of parsley stalks, thyme, ½ bayleaf, mace and cinnamon)
- 1/2 tsp. curry powder, or more to taste
- 1 cup, coconut milk
- 1 cup, rich chicken stock
- 1/4 cup, heavy cream
- Fresh lemon juice
Method:
Butcher the chickens into quarters, leg and thigh and boneless breast and wing. Remove the bones from the thighs and remove the end portions of the wings, leaving the drumettes attached to the boneless breasts. Season with salt and pepper and put aside.
Prepare a grill for the chicken.
To make the sauce:
Heat butter in a saucier or sauté pan; add onion and bouquet garni; cook together without color until the onion is translucent and the herbs and spices are fragrant.
Sprinkle with curry powder and moisten with coconut milk and chicken stock. Simmer together, very gently, for 15 minutes. Strain through a fine sieve and finish with cream and a few drops of lemon juice.
Cook the chicken:
Grill the chicken. Cook skin side down over high heat, monitoring carefully. You want strong grill marks and a touch of char, but you do not want it to burn. Turn the chicken to the cooler side of the grill and cover, allowing to cook to an internal temperature of 170°F on the breasts and 175°F on the thighs.
To serve:
On each plate, put down a base of a good pilaf. If it has a sweet element, such as a touch of fruit, that marries excellently with this sauce. Place a breast/wing and a leg/thigh just below the pilaf, crossing the bones over the rice. Ladle 2 ounces of the sauce over the thigh and breast section, allowing it to pool beneath. Finish with a sprinkling of chopped flat leaf parsley, if desired.
Notes: 1) This recipe calls for chicken stock because we are serving it with chicken. It may be made as effectively with fish stock, veal stock or lamb stock to marry it with the dish being served. If serving the sauce with a variety of meats or with eggs, veal stock is the most neutral. 2) Coconut milk may be manufactured by soaking 1 ½ lbs. of grated fresh coconut in a pint of lukewarm milk, then strain through cheesecloth. If coconut is unavailable, this may be done using chopped almonds as well.
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